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NOISE TRAIL IMMERSION are back on the scene with “Tutta la Morte in un solo punto”, a visceral and uncompromising album that wants to get straight to the listeners’ stomachs rather than their heads, channeling all the pain, chaos and inscrutability that characterize the depths of the human soul into extremely chaotic and short tracks.
A new turning point in the musical journey of NOISE TRAIL IMMERSION, “Tutta la Morte in un solo punto” transfigures the spiritual component added by “Curia” (2021) to the band’s music, in some ways resuming the cavernous, furious and desperate approach of “Symbology of Shelter” (2018), but without its more nihilistic component. “The idea was to express a deep suffering, even violent and furious, but still an integral part of a cathartic vision, which sees the human experience at its center, in a continuous dialogue and clash between matter and spirit”, explains guitarist Daniele Vergine.
Musically, the research focuses on condensing the climaxes of the tracks in specific moments, in which intricate but memorable guitar riffs take center stage, with refined harmonies and continuous interlocking, suspended in a perpetual tension between dissonances and melodies. Vocals have an even more varied stylistic range than previous albums, oscillating between suffering black metal screams and guttural death metal growls, echoed by the tight, frenetic and schizoid arrangements of the rhythm section, aimed at impressing a sense of continuous fury on the compositions.
“Tutta la Morte in un solo punto” is Noise Trail Immersion’s most aggressive album and, despite its desire to summarize a musical journey of over 10 years, it represents a U-turn aimed at seeking further maturation not in the sublimation of chaos, but rather in the attempt to scrutinize it even more deeply.
